Amalfi Coast in 4K
2019 | 2:38
Testing out a much lighter camera setup in the stunning Amalfi Coast, Italy. I shot this with an iPhone XS on a DJI Osmo 2 gimbal.
This video features Amalfi, Ravello, Positano and more.
Paperbark Camp & Hyams Beach | Jervis Bay
2018 | 2:33
A one night getaway to the luxurious Paperbark Camp in Jervis Bay. We visited Hyam's Beach after our stay where we got to see the whitest sand in the world!
Vanuatu and New Caledonia | 4K
2018 | 3:09
A highlights video of a 10 day trip to Vanuatu and New Caledonia. With this video, I chose an energetic and surreal melody to heighten the dreamlike experience of this adventure.
Shot on a Panasonic GH4 w/ 12-35mm.
Surfing Your Bed
2018 | 1:01
An edit I did for the company Koala. The brief was to create an engaging video with a classic surfing soundtrack.
This piece was made for the release of their new bed base - which you can actually surf.
Melbourne | 4 Days in 4K
2017 | 2:15
A highlights video of a 4 day trip to Melbourne featuring the graffiti, rooftops and nightlife of the city.
Rushcutters Bay, Sydney
2017 | 0:20
A beautiful sunset at Rushcutters Bay, Sydney. This has to be one of the most stunning twenty seconds of footage that I have ever captured.
Shot with a Panasonic GH4 w/ Lumix 12-35mm.
2016 | 30:05
My Honours project - a documentary style short film about collectors of vinyl records.
With this film I hope to shed light on some of the unique experiences that come along with collecting music in this analogue form.
It's interesting to think, do you remember the first album that you ever downloaded? I certainly remember the first record I purchased.
How to Sample a Beat Through Vinyl
2016 | 1:50
Vinyl enthusiast Ryan Diefenbach showing me how to sample a beat through vinyl during his interview for "Gathering Grooves" (2016).
Shot with a Canon 5D Mark III w/ magic lantern.
2015 | 5:42
A short film inspired by the infamous suicide forrest in Japan - Aokigahara. The film explores themes of suicide led through a poetic narration and was crafted in close collaboration with a friend - William Manley. Will and I wrote, directed and edited the film. We shot this piece in two days.
Shot with a Canon 5D Mark II on 14 bit RAW.